![]() Slash has played on blues albums, jazz albums, funk albums and punk albums. But we'd argue that Slash also gets hired for his surprising versatility in many genres. But hire Slash, and you know he'll deliver a wonderful rock guitar sound and performance that's always recognizable. You could argue that it's due to Slash's name cache. Aside from his bands and projects, Slash is the session player to the stars, similar to the way Jeff Beck has been throughout his career. Slash is one of the easiest players to identify on any recording. Anyone buying into that nonsense must not have ears. There are silly Internet rumors going around suggesting that he didn't actually play on this or that. And he's done it using rock's most fundamental building blocks. Like all great guitarists, Slash has carved out a unique, instantly recognizable style for himself. He doesn't bring anything particularly new to the table as a guitarist, yet you can always recognize Slash when you hear him. Image aside, this is really the key to Slash's popularity and success as a guitarist. Guns N' Roses became the Rocks -era Aerosmith of their generation.ĭistinctiveness. It was blatantly derivative to anyone who had experienced 70s hard rock firsthand, but it sure hit home on a younger audience that was tiring of spandex, Aqua Net, and pretty boy shredders. Shirtless, Les Paul slung low, cigarette hanging from his lip, sweaty curls obscuring his face, Slash churned out dirty, sexy, raunchy, rude, riffy rock. Slash is sex personified, both as a sex symbol and in his guitar style. He used booze and heroin to fuel the wasted bad-boy image. He made Richards, Page, and Perry his personal templates for his image and guitar style. Slash realized that you didn't need to be the most technically proficient player to make your mark. Not-so-obvious: Michael Schenker, Cheap Trick, Ted Nugent, Wes Montgomery, Nile Rodgers, Django Reinhardt, Johnny Thunders, Steve Jones, Mick Ronson. In Slash, you can also hear Jeff Beck, Jimi Hendrix, Keith Richards, and most of the Stones guitarists. Slash can be thought of as the last link in the chain of stylistic evolution - if you can call it evolution - from Page, to Perry, to Slash, in the same way that Malmsteen is the stylistic evolution of Hendrix, Blackmore and Uli Roth. Obvious: The most obvious influences are Jimmy Page and Joe Perry. At least Slash hired a bodyguard to make sure he got home in one piece. And like his idols, Slash also consumed insane levels of drug and drink while partying in the requisite rock star manner. Slash created an image morphed from equal parts Keith Richards, Jimmy Page, and Joe Perry. Having more hair in his face than a sheepdog. Infamous for: Ditching the Saul Hudson moniker, and using a verb for a name. Slash is also famous for re popularizing Les Pauls during the age of superstrats and Floyd Roses. The last major influence on a generation of young players who still cared about playing lead guitar. From a guitar perspective, Slash is also the last true Guitar God. And they're not even calling Jeff Beck as much as they used to. No one is calling Zakk Wylde for these sessions. Never mind that Slash can really play - his name alone brings instant cache and "rock cred" to any recording he guests on. He's famous for the session work he's done. In addition to the image, he's penned some of the most successful riffs and memorable solos in rock history. His silhouette is more recognizable than his face - which always seemed to be obscured by his long hair. The name Slash instantly conjures up his image of top hats, cowboy boots, and leather chaps. Slash is one of the charmed few who's celebrity status is so accepted and secure that having a last name is unnecessary. Watch Slash in Action at the bottom of this page! Famous / Infamous forįamous for: Being a true rock icon in the way Sting, Bono, Cher, and Madonna are icons. Orange Tiny Terror – the First DRG-Recommended/Endorsed Dino Amp.
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